There is something deeply unsettling about watching a family mourn while the public debates where the body should rest. Gospel singer Olayemi Bayonile Bolaji, known as Toluwanisings, died in the early hours of 14 October 2026. His family confirmed the news and asked for prayers for his wife, children and relatives. Funeral arrangements have not yet been finalised. A Night of Tribute is scheduled for 27 October in Ibadan. Yet online conversation has already turned to a familiar Nigerian tension: a father’s wishes versus a wife’s position. Who decides the final resting place? Reports indicate that his father, Muniru Adekunle Olayemi, wants his son buried at the house he built in Ibadan. He has said he does not want a cemetery or church burial. Social media accounts have presented the widow as preferring a cemetery, saying she could not bear seeing a tomb in the home every day. These claims circulate widely, but the family has previously urged the public to disregard unverified online rep...
From the crackle of old television sets and VHS cassettes during my childhood to the big cinema screens of today and streaming platforms, I watched Taiwo Hassan popularly known as Ogogo. His cinematic style was bold and raw. A perfectionist who is always serious on set. He respected the craft, mentored young ones, wrote, directed, produced and featured in numerous movies. I cannot think of Ogogo without remembering Owo Blow. His portrayal of Wole Owolabi was one of those performances that I can’t forget. He acted the role that audiences, including many young women of that generation, remained drawn to the character long afterwards and became his Crush. The film helped introduce him to a wider audience and became one of the defining chapters of his long career. Those productions also featured the women who completed the stories. I remember the late Adebimpe Adekola, known as Ireti, of blessed memory. Her frequent professional pairing with Ogogo formed part of the memories of that era. A...